Daniel Day-Lewis Expresses Annoyance Over The Method Approach Being Equated to ‘Acting Insanely’ – And That’s Precisely the Reason We Love It
It’s been quite some time since the public saw or heard from the acclaimed actor Daniel Day-Lewis. Following his announcement in 2017 declaring he would no longer work as an actor, prior to the release of Phantom Thread, the actor quietly faded from view. Yet, during his hiatus, his legend expanded further.
The Legend Surrounding His Method
Primarily, this legend centers on his favored style of working. As someone who famously immerses himself in the roles he plays – for instance, while filming Lincoln, he had Steven Spielberg call him “Mr President” for the entire production – audiences has grown more fascinated with his process. Is it true he actually sent texts to Sally Field in character as Lincoln? Did he consumed solely game he hunted for The Last of the Mohicans? Did he insist on being spoon-fed for My Left Foot?
Extreme acting methods: has the public lost interest with actorly excess?
Currently, Day-Lewis has returned in the limelight, somewhat reluctantly, promoting his latest movie Anemone. And he is using this to express his frustration regarding how method acting is perceived. “I am somewhat annoyed these days to hear all kinds of people talking carelessly and saying things like ‘gone full method’, which I think suggests that someone is behaving like a lunatic in an extreme fashion,” he told the New York Times. “People often concentrate on the less important aspects of acting, and these elements always seem to involve some form of self-punishment or a situation that causes extreme unease or psychological strain. However, in the life for a performer, it must mainly focus on the internal work.”
An Industry of Imitators
To be honest, it appears as if the actor has emerged from his retreat and found himself shocked by the acting community that has been created in his image. If you’re widely considered among the best performers in history, and your process involves headbutting a dummy until you break your nose (in Gangs of New York) or enduring two days in isolation deprived of sustenance (during In the Name of the Father), it’s natural that other actors will want to fill that vacuum by imitating their idol.
In other words, we exist in an environment full of imperfect imitators of Day-Lewis who want nothing more than to show the world the sheer amount of dedication they invest in a character. At the shallow end of this trend there are performers such as Lady Gaga, who was determined to win an Oscar for House of Gucci that she spent the entire promotion trying to convince everyone that she became an Italian native for a year and a half as preparation.
Additionally, there is Jared Leto, who chose to immerse himself into the role as the Joker (in Suicide Squad) by sending “horrifying” presents to fellow cast members. These, according to various accounts, included dead pigs and rats to anal beads and personal hygiene products, although the actor refuted those worst excesses. And then, naturally, there is Jim Carrey, who went so deep as Andy Kaufman during Man on the Moon that filmmakers succeeded to get a full-length documentary out of B-roll of him causing difficulties to the utmost for everyone around him.
The Modern Followers of the Method
The foremost Method Guy at the moment would appear to be Jeremy Strong (once Day-Lewis’s assistant), whose process while filming Succession was so rigorously detailed that it formed the subject of a critical magazine feature, including statements from people who were worried for his behaviour (“The toll on himself concerns me,” remarked co-star Brian Cox) or annoyed beyond all measure by it (“I remember [him] making others roll their eyes,” said an unnamed co-star).
The actor says he ‘did not plan to stop acting, truly’
There are numerous additional cases. Andrew Garfield abstained from sex for six months for Silence. Leonardo DiCaprio rested inside a dead animal for The Revenant. There’s a fighting chance that actor Austin Butler still speaks like Elvis Presley, three years after the movie’s release. All of this, to some extent, aims to evoke the seriousness in which Day-Lewis approaches his work.
An Admirable Yet Challenging Battle
Moreover, although his rebuttal against method detractors could be commendable, a brief promotional cycle may prove insufficient to change anyone’s mind, not to mention their behaviour. Maybe if he wishes to remind people the true essence of the Method, or to demonstrate what it can achieve, then Day-Lewis’s best bet is to just start making more films. Certainly everyone would get behind that.